Analysis
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Sonallah Ibrahim answers the question: How do I write?
It is not easy for a writer to talk about his experience, because when he does, it is like cutting…
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The timeless journey of Carmen: excerpts from ballet, musical theater, and contemporary opera (3-4)
Manifestations of emotion and destiny in ballet and musical theater Far from the opera stage, where Carmen first achieved fame,…
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Disappearing traces: “Heritage destruction” spreads in Cairo’s cemeteries
At the end of October, Prime Minister Mostafa Madbouly appeared before all Egyptians to announce that demolition work in Cairo’s…
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Cairo, July 15: What did Duha say about Cairo in the 1960s? (2-2)
In our analysis of Duha’s novel, told to Bahaa Taher, we concluded the last episode with a scene highlighting the…
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The timeless journey of Carmen: global quotations and cultural reinterpretations (1-4)
Origins, roots, and early operas The story originated in France in the 19th century, first as a short story by Prosper…
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Fardis, the people below
Perhaps the ancient Egyptians succeeded in their obsession with special measures for dwelling in eternal paradise after leaving this world,…
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“El Daif Ahmed” …From Tami al-Amdid to Her
When I was young, my cousin and I would go to play in a spacious yard near their house with…
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The City Between Reality and Cinema
(1) This is a remarkable book in terms of its subject matter, approach, and research by the thinker and artist…
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Karl Müller: A German artist who loved Egypt
Carl Müller (1834–1892) was a creative artist born in Dresden and died in Vienna. Müller traveled to Egypt many times,…
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Gamal Omar writes in memory of Nasr Abu Zeid: Three decades of division
I was listening to a lecture in English by German researcher Angelika Neufirt, presented at the Ismaili Studies Center at…
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